Thursday, 30 December 2010

Design Brief

Character Design



Design Brief:


What is it?

Reinterpreting the characters and the story of the ‘Fairy Tale- Snow White and the Seven Dwarfs’, by developing illustrations of the characters and the story in Manga comic style. The finished product will be a collection of digital illustrations compiled and produced as a book. Also a 3D CG model of the Snow White will be made.

Backgrounds:

Aim of the project is to analyze, study and develop characters based on a well defined style. The project is looked at from three viewpoints.

  • Styles/Approaches
  • Characteristics/Physical and Personality Traits
  • Media Scope/Demand

The story base for this project is the famous ‘Fairy Tale- Snow White and the Seven Dwarfs’. This story has been chosen due to its vivid characters or the diverse personalities of its characters and its popularity. The illustrations will be developed in Manga comic style. This style has been chosen as it is a popular and widely accepted style. The challenge would be in successfully developing these popular western style characters and the story in an entirely different eastern style. The 3D model of the ‘Snow White’ could potentially be used as a game character or used in any other suitable animation clip. This project has been chosen to reinvent self as a Character Designer.

Objectives:

The characters, story and the manga drawing style will be closely examined. After close study and examination, rough sketches of the characters and the story will be made using traditional pencil and paper method. These sketches will be further refined and storyboarding of the entire story will be done. Characters will be portrayed in different ways capturing their gestures and poses. Characters will be portrayed within their environment, thereby picturing the surroundings in detail. The finished product will be a collection of digital illustrations compiled and produced as a book. These illustrations may be accompanied by textual content narrating each scene. As the second phase of the project a 3D CG model of the ‘Snow White’ will be made.

Tuesday, 21 December 2010

Manga

Manga consists of comics and print cartoons. Manga conforms to the style developed in Japan in the late 19th century. In their modern form, Manga date from shortly after world war II. The Manga industry in Japan is of a massive scale. There are a great number of magazines in Japan devoted exclusively to Manga. The three largest publishing houses producing Manga are Kodansha, Shogakkan and Shueisha. It is estimated that there are around 3000 professional Manga artists in Japan.


Types of Manga

There are different types of Manga. Doujinshi, Gekiga, Hentai, Josei, Seinen, Shojo, Shonen, Kodomo etc.

Doujinshi
Gekiga
Shojo Manga
Shonen Manga

Many Manga have been made into Anime series. Anime is commonly defined as animation originating in Japan. Anime, like Manga, has a large audience in Japan and recognition throughout the world.

It is worthwhile here mentioning about Studio Ghibli. It is a Japanese animation film studio. Studio Ghibli has created several award winning anime features.  Among its productions, 'Spirited Away', has won an Oscar for Best Animated Feature in 2002 and it remains the only film made outside the English-speaking world to have done so.

Below is a trailer of Studio Ghibli films ranging from 1984 to 2005 (nausicaa to howls), put together by a fansite, using music from doyle and zimmer. I think this is an excellent piece of collections.



Came across the below Disney's trailer for the Studio Ghibli film 'Spirited Away' which won the Oscar for Best Animated Feature in 2002. The plot of Spirited Away orbits around a sullen ten-year-old girl who is in the process of moving to a new neighborhood with her family, leaving her old friends and school behind, and chronicles of her adventures in a world of spirits and monsters. This movie was directed by Hayao Miyazaki who is a a Japanese Manga artist and prominent film director and animator of many popular anime feature films.

Monday, 20 December 2010

Character Design

Character Design is one my favorite area. We all are familiar with many classic characters through cartoons, video games, movies, advertising etc.

I found some interesting tips here in the below given site which are greatly helpful in developing a new and innovative character.

Character Design Tips


I have great love for characters such as Mickey Mouse, Donald Duck, Tom and Jerry to name a few among many others. Other day I was searching through the web and came across the below link which has some most famous characters mentioned in their list. I found it quite interesting.

Some famous cartoon comic characters

Here is a link below to a blog on Character Design, which I found greatly helpful; giving insights to some of the famous character designers and their classic work.

http://characterdesign.blogspot.com/

I am easily drawn towards the cute characters like the ones appear in children's books / television shows etc. Perhaps this could be the reason why when I decided to take a project focusing on Character Design for my Masters, the Manga drawing style first came to my attention. Initially the cuteness of the Manga characters, for example their big glossy eyes, brilliant hair colors, cell shading etc attracted me towards these drawings. Only recently I decided to dig a bit deep into this style.

Manga are getting increasingly popular these days. Many artists are drawn towards this Japanese style of drawing. Manga style drawings are based on the increasingly popular Japanese comics. There are different kinds of Manga, from fairly realistic to extremely distorted. Most Manga drawings have a few things in common such as the eyes are usually large, emotions are exaggerated and line work styles are considered very important. While reading through articles on the net, I found that the general guideline or advise to draw Manga characters would be to loosely follow the real human anatomy proportions while exaggerating and stylizing the drawings.

Wednesday, 8 December 2010

Art Styles / Art Movements / Design Philosophies

Art Styles / Art Movements / Design Philosophies

Many Art Styles / Art Movements / Design Philosophies have emerged during the last century. Political, cultural and economic upheaval marked the beginning of 20th century. The many Art Styles / Art Movements / Design Philosophies emerged during this period challenged the long-held creative traditions with revolutionary ideas. The individual contributions of artists and designers further fostered the growth of these ideas.

I am interested in understanding these various Art Styles / Art Movements / Design Philosophies as each of them have their own unique characteristics and have greatly contributed to the growth of graphic design and most had significant influence internationally.

Arts and Crafts Movement

Arts and Crafts Movement was an international design movement that originated in England. It flourished between 1880 and 1910, continuing its influence up`to 1930s. This movement was founded by William Morris(1834-1896)in the 1860s. The writings of John Ruskin had greatly influenced the formation of this movement. It had started as a search for authentic design and decoration as well as a reaction against the styles that had developed out of machine-production.One of its interests was book production. In 1891, at Morris's Kelmscott Press, the first book was printed. Between then and 1896, more than fifty titles were produced in a variety of formats. These books often had woodcut decorations and borders and were set in typefaces which were made to Morris's own specifications from photographs of fifteenth-century printed letters.

More on Arts and Crafts Movement

Art Nouveau

Art Nouveau was a popular artistic movement between 1890 and 1905. The French term means ''new art''. Art Nouveau was practiced in the fields of art, architecture and applied arts. It emerged as a reaction against the late 19th century academic art. It was a response to the radical changes caused by the rapid urban growth and technological advances that followed the Industrial Revolution. Grasset and Mucha were the two pioneers of Art Nouveau. It formed as a reaction to academic art of the 19th century. Use of floral and other plant-inspired motifs, as well as highly stylized, flowing curvilinear forms are its characteristics. 


More on Art Nouveau


Bauhaus 

The Bauhaus school in Germany is one of the first schools of design. It was founded by Walter Gropius in 1919. Initially Bauhaus did not emphasize graphic design in its curriculum. This popular art school boasts a very noticeable portfolio of advertising posters. Under the direction of Herbert Bayer, a distinct method of lettering and composition emerged. Typography was characterized by large, single case 'sans serif' letters. These were often combined with contemporary photographic images shot at unusual angles. In the later years a whole new system of lettering was developed, in which basic geometric shapes became the building blocks of a new alphabet.


More on Bauhaus


Cubism

Cubism can be considered as the most radical, influential and innovative art movement of the 20th century. Cubism is complete denial of classical conception of beauty. Cubism was the joint invention of two men, Pablo Picasso and Georges Braque. Cubism abandoned proportions, organic integrity and continuity of life samples and material objects. The Cubist art movement began in Paris around 1907. The Cubists broke from centuries of tradition in their painting by rejecting the single viewpoint. Instead they used an analytical system in which three-dimensional subjects were fragmented and redefined from several different points of view simultaneously.



Futurism 

Futurism was inspired by the development of Cubism and went beyond its techniques. Futurism came into being with the appearance of a manifesto published by the poet Filippo Marinetti on the front page of the February 20, 1909, issue of Le Figaro. Futurism was presented as a modernist movement celebrating the technological, future era. Filippo Marinetti, wrote in the first Futurist Manifesto declaring the end of art of the past and the beginning of the art of the future (le Futurisme). He exported his new aesthetic that extolled speed, violence, industrialization, and dynamism from Italy to the rest of Europe through lectures and publication of his Futurist Manifesto.



Constructivism

In revolutionary-minded Russia by 1921 Constructivism, an art form that conformed to the needs of the state, became the accepted means of graphic expression.Leading the Constructivists were husband and wife team Varvara Stepanova (1894-1958) and Alexander Rodchenko (1891-1956). They rejected fine arts to create images that served the new worker state. The word 'artist' was replaced with the more productive term 'constructor'.Constructivist advertisements promoted industry or political propaganda. The work was dominated by the color red, the color of the Communist Revolution. The Constructivists were early pioneers of the techniques of photomontage. 


 

Sunday, 5 December 2010

Influences on Graphic Design

Analysis and Study of Art Movements / Art Styles / Design Philosophies of the 20th century which influenced Graphic Design Internationally:

The 20th century witnessed the birth of various Art Movements / Art Styles / Design Philosophies which greatly influenced Graphic Design internationally. This study is an attempt to explore and analyze those Art Movements / Art Styles / Design Philosophies which led Graphic Design in bold new directions.

"The Origins of Graphic Design lie in the revolution in the decorative arts " - Graphic Design A Concise History - Richard Hollis


Three Ways of Looking:


Influences on Graphic Design :


  • History
  • Influences
  • Education/Awareness

This study is an attempt to explore and analyse the major aspects that influenced the Graphic Design such as the art styles/art movements/design philosophies that emerged during the 20th century. The origins of graphic design lie in the revolution in the decorative arts. Political, economic and cultural upheaval marked the beginning of 20th century. The evolving art movements challenged the long-held creative traditions with revolutionary ideas for art and design. These ideas grew as artists and designers injected personal expression into their work. The birth of Cubism, Futurism, Surrealism, Dada, Constructivism etc exerted considerable influence over the artists and graphic designers. This project is mainly looked at from three viewpoints- History, Influences, Education/Awareness.

History: The aspects that are aimed to explore are for example- What is the history of graphic design?  How did Graphic Design evolved as a discipline/profession? What are the different stages in its evolution? When it started using photographs, illustrations, textures, different layouts etc in its composition or What are the major art styles/ art movements/ design philosophies that influenced Graphic Design? How the change in economy, advancements in printing, advent of computers etc made an impact on graphic design or How Graphic Design became part of the culture and economy of the industrialized countries?

Influences: This is an attempt to analyse and study the influences on graphic design especially the various art styles/art movements/design philosophies that emerged during the 20th century. The aim is to explore the different art movements/art styles/design philosophies for example Constructivism, Cubism, Dada, Bauhaus style, Swiss style, Urban Grunge, New Wave, Punk, Colour-Field, Techno etc to name a few. The study examines- What are the major national tendencies developed during this time? How these originated? What are their characteristics? In 1970s and 1980s, a new generation of designers began to exploit the possibilities of the computer. The study also analyses how the computer technology influenced graphic design?

Education/Awareness: This project is viewed from an education/awareness perspective. The findings of the study and analysis will be produced as a research publication. This study is driven by curiosity to understand the various art styles/art movements/design philosophies that influenced graphic design during the 20th century. This study examines how the various art developments in the different countries influenced graphic design internationally. The aim is to collect as much information as possible and study the characteristics of the different styles.

Thursday, 2 December 2010

Color and Visual Communication



Importance of Color in Visual Communication, especially in Print Media Advertising:


I’m no color expert, but love exploring interesting topics. This topic is something that has always drawn me towards it. As a child I wasn’t so particular about which colors I would use in my drawings or paintings. The tastes changed as years passed by. After getting involved in the Graphics world of print and web, I rather started thinking seriously about is there any special secret or formula in selecting the colors that will prove effective for each and every project that a Graphic Designer undertakes? This led me to study or closely analyze the psychology of colors, color theories, the perceptive factors such as the arrangement of colors etc. It is well understood that colors evoke emotions and these emotions change from person to person as each try and co-relate the colors to different objects or experiences that they have had. Many color studies have been carried out over the years and still going on and will continue in the future as well. Studies have proved that color is an integral part of visual communication, be it through print, web or any other media. The careful selection of colors helps to communicate the intended message across to the target audience portraying the context and mood effectively.

Below are some links I found interesting:


Below is a video by Coloroot.com that was played at the Color Marketing Group 2007 International Conference "Love of Color" in 2007 in Tampa, Florida.




Some interesting facts regarding colors:

I have been reading Color and Communication by Jean-Paul Favre and Andre November. I would like to jot down a few interesting facts regarding colors which I came across while reading this book.

According to modern science, the colors are caused by waves whereby the differences in their wavelengths and the number of oscillations determine the various shades. But a person doe not only limit himself to just registering these wavelengths faithfully. The colors perceived evoke a variety of sensations. Colors act on the subconsciousness and the resulting sensations are then transferred to the consciousness. These feelings in turn generate reactions. 

Colors are associated with a feeling of temperature as well as weight. For example red is perceived as a warmer color than blue or green. A classic example has been quoted in this book regarding this aspect. An office was painted in blue and grey and there were constant complaints about the room being too cold. After the room was repainted in warmer colors, namely brown and orange, the complaints stopped soon after whilst the temperature had remained unchanged and in line with that of the other offices. While talking about color and its weight, it is generally known that white and yellow are the lightest colors whereas dark violet and black are the heaviest. In general the darker the color the heavier it seems.

Research conducted among a large number of people has confirmed very specific relationships between colors and taste!

We all perhaps have preferences for certain colors. Studies have shown that preferences vary according to temperament, sex, age, social group etc, but above all preferences are strongly influenced by personal happenings which are then associated to certain colors subconsciously. If we consider the taste of a person concerning color through the various stages of life, we find that there is a well-defined cycle: light and bright colors in youth, rich and brilliant colors find favor with adults and softer and less intense colors are preferred in old age. It is exciting to note that sombre colors are more favored in winter and the lighter shades in summer.

There is a classic example quoted in this book regarding - Human beings are easily influenced by colors.

200 persons were asked to pass their judgment on coffee which had been served to them out of four different color pots, e.g. a red pot, a blue pot, a brown pot and a yellow pot. 73% of these people found that the coffee poured from the brown container was too strong, whereas 84% of these ladies considered the coffee of the red pot rich and full-bodied. The coffee from the blue pot was regarded as having a milder aroma. The beans used to prepare the coffee in the yellow pot were said to be of a weaker blend. And yet all the pots contained exactly the same coffee.

Color is a remarkable tool when it comes to marketing communication. As consumers, we are exposed to thousands of advertising messages and special offers. In fact there are two phases in a communication through colors. Firstly the transmission of the message by the sender and secondly the response/reaction of the receiver. Colors have various functions such as they are used to

to achieve stronger impact,
to create optical illusions,
to improve legibility,
to identify the product category
to be suggestive

People usually tend to notice agreeable things and tend to overlook anything which does not please them. Say for example a package with good visual properties will standout from the rest. Human beings only notice a small proportion of the impressions which constantly force themselves upon their senses.  In order that an object is noticed, i.e. so that it draws attention to itself, it must

-be clearly visible and excite the retina of the individual
-have something about it that is new and original.

Use of an appealing color or a pleasing color combination have the power of drawing attention and interesting the person by causing him/her to linger.